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Table of contents
- Cover1
- Title Page2
- Copyright Page3
- Note4
- Dramatis Personæ5
- Contents6
- Act I7
- Scene I. Britain. The Garden of Cymbeline’s Palace7
- Scene II. The Same. A Public Place10
- Scene III. A Room in Cymbeline’s Palace11
- Scene IV. Rome. Philario’s House12
- Scene V. Britain. A Room in Cymbeline’s Palace14
- Scene VI. The Same. Another Room in the Palace15
- Act II18
- Scene I. Britain. Before Cymbeline’s Palace18
- Scene II. Imogen’s Bedchamber in Cymbeline’s Palace: A Trunk in One Corner of It19
- Scene III. An Ante-Chamber Adjoining Imogen’s Apartments20
- Scene IV. Rome. Philario’s House22
- Scene V. Another Room in Philario’s House24
- Act III25
- Scene I. Britain. A Hall in Cymbeline’s Palace25
- Scene II. Another Room in the Palace26
- Scene III. Wales. A Mountainous Country with a Cave27
- Scene IV. Country Near Milford-Haven28
- Scene V. A Room in Cymbeline’s Palace31
- Scene VI. Wales. Before the Cave of Belarius32
- Scene VII. Rome. A Public Place33
- Act IV34
- Scene I. Wales. Near the Cave of Belarius34
- Scene II. Before the Cave of Belarius35
- Scene III. A Room in Cymbeline’s Palace40
- Scene IV. Wales. Before the Cave of Belarius41
- Act V42
- Scene I. Britain. The Roman Camp42
- Scene II. Field of Battle Between the British and Roman Camps43
- Scene III. Another Part of the Field44
- Scene IV. A British Prison45
- Scene V. Cymbeline’s Tent48
Book details
- Vendor Dover Publications
- SKU 9780486790121
- ISBN-13 9780486790121
- Author William Shakespeare
- Category Drama
- Subject Shakespeare
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The secret marriage of a king's daughter sets off a chain reaction of slander, jealousy, and divine intervention in this fairy tale-like romance. Shakespeare based his play on myths of an early Celtic king of Britain, incorporating historical elements from classical Rome and Renaissance Italy. With a cast that includes an evil stepmother, scheming suitor, and devoted lovers, the drama is heightened by duels, kidnappings, and disguised identities. Cymbeline offers captivating storytelling that's crowned by the beauty of its language. Virginia Woolf, T. S. Eliot, Samuel Beckett, and countless others have quoted Act IV's funeral song: "Fear no more the heat o' th' sun/Nor the furious winter's rages;/Thou thy worldly task hast done,/Home art gone and ta'en thy wages." A moving story of loss and recovery, Shakespeare's drama promises that a leap of faith can lead to miracles.
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