Faust, Part One

Johann Wolfgang von Goethe

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Table of contents
  • Title Page2
  • Copyright Page4
  • Note5
  • Table of Contents6
  • Dedication7
  • DRAMATIS PERSONAE8
  • PROLOGUE FOR THE THEATRE - MANAGER, DRAMATIC POET, MERRYMAN.9
  • PROLOGUE IN HEAVEN - THE LORD, THE HEAVENLY HOSTS, afterwards MEPHISTOPHELES.11
  • SCENE—Night— A high vaulted narrow Gothic chamber12
  • SCENE— Study19
  • SCENE — Study22
  • SCENE — Auerbach’s Collar in Leipzig — A Drinking Party26
  • SCENE — Witches’ Kitchen29
  • SCENE — A Street32
  • SCENE — Evening — A Small and Neat Room33
  • SCENE — Promenade34
  • SCENE—The Neighbour’s House35
  • SCENE—A Street36
  • SCENE—Garden37
  • SCENE—A Summer-House38
  • SCENE — Forest and Cavern39
  • SCENE—Margaret’s Room40
  • SCENE — Martha’s Garden41
  • SCENE — At the Well42
  • SCENE — Zwinger43
  • SCENE — Night — Street Before MARGARET’S Door44
  • SCENE— Cathedral — Service, Organ, and Anthem45
  • SCENE—Walpurgis-Night—The Harz Mountains. District of Schierke and Elend.46
  • SCENE—Walpurgis-Night’s Dream, or Oberon and Titania’s Golden Wedding-feast—Theatre49
  • SCENE—A Gloomy Day—A Plain50
  • SCENE—Night—Open Country51
  • SCENE—Dungeon52
Book details
  • Vendor Dover Publications
  • SKU 9780486159829
  • ISBN-13 9780486159829
  • Author Johann Wolfgang von Goethe
  • Category Fiction
  • Subject Classics

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One of the most fecund and enduring legends in Western folklore and literature is that of Faust, the old philosopher who sells his soul to the devil in exchange for knowledge and power. Perhaps the most profound treatment of the legend in Goethe's Faust, a dramatic poem that incorporates the story's themes of wickedness and mysticism and draws on an immense range of theological, mythological, philosophical, political, and other cultural sources. The present volume reproduces Part One (first published in 1808), which tells of Faust's despair, his pact with Mephistopheles and his love for Gretchen. Containing a vast array of poetic styles — epic, lyric, dramatic, as well as operatic and balletic elements — the poem is one of the supreme achievements of Western literature.