The Red and the Black
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Table of contents
- Title Page
- Copyright Page
- Table of Contents
- Introduction
- A CHRONICLE OF 1830
- I. A Small Town
- II. A Mayor
- III. The Poor Fund
- IV. A Father and a Son
- V. A Negotiation
- VI. Ennui
- VII. The Elective Affinities
- VIII. Little Episodes
- IX. An Evening in the Country
- X. A Great Heart and a Small Fortune
- XI. An Evening
- XII. A Journey
- XIII. The Openwork Stockings
- XIV. The English Scissors
- XV. The Cock’s Song
- XVI. The Day After
- XVII. The First Deputy
- XVIII. A King at Verrières
- XIX. Thinking Produces Suffering
- XX. Anonymous Letters
- XXI. Dialogue with a Master
- XXII. Manners of Procedure in 1830
- XXIII. Sorrows of an Official
- XXIV. A Capital
- XXV. The Seminary
- XXVI. The World, or What the Rich Lack
- XXVII. First Experience of Life
- XXVIII. A Procession
- XXIX. The First Promotion
- XXX. An Ambitious Man
- XXXI. The Pleasures of the Country
- XXXII. Entry into Society
- XXXIII. The First Steps
- XXXIV. The Hôtel de la Mole
- XXXV. Sensibility and a Great Pious Lady
- XXXVI. Pronunciation
- XXXVII. An Attack of Gout
- XXXVIII. What Is the Decoration Which Confers Distinction?
- XXXIX. The Ball
- XL. Queen Marguerite
- XLI. A Young Girl’s Dominion
- XLII. Is He a Danton?
- XLIII. A Plot
- XLIV. A Young Girl’s Thoughts
- XLV. Is It a Plot?
- XLVI. One O’clock in the Morning
- XLVII. An Old Sword
- XLVIII. Cruel Moments
- XLIX. The Opera Bouffe
- L. The Japanese Vase
- LI. The Secret Note
- LII. The Discussion
- LIII. The Clergy, the Forests, Liberty
- LIV. Strasbourg
- LV. The Ministry of Virtue
- LVI. Moral Love
- LVII. The Finest Places in the Church
- LVIII. Manon Lescaut
- LIX. Ennui
- LX. A Box at the Bouffes
- LXI. Frighten Her
- LXII. The Tiger
- LXIII. The Hell of Weakness
- LXIV. A Man of Intellect
- LXV. A Storm
- LXVI. Sad Details
- LXVII. A Turret
- LXVIII. A Powerful Man
- LXIX. The Intrigue
- LXX. Tranquility
- LXXI. The Trial
- LXXII
- LXXIII.
- LXXIV
- LXXV
- DOVER • THRIFT • EDITIONS
A landmark in the development of psychological realism, Stendhal's masterpiece chronicles a young man's struggles with the dualities of his nature. Julien Sorel, a young dreamer from the provinces whose imagination is afire with Napoleonic ideals, sets off to make his fortune in Parisian society of Restoration France. His encounters and experiences along the way incite constant inner conflict, drawing him back and forth between sincerity and hypocrisy, idealism and cynicism, humility and pride, love and ambition.